19th Century Masterfile was launched in 1999 as "Poole's Plus," but has now grown to include over seventy contemporary indexes to English-language publishing prior to 1930. The Library subscribes to all 5 sections: I. Multi-title periodical indexes -- II. Book indexes -- III. Newspaper indexes -- IV. Complete individual periodical indexes -- V. US Patents; Hansard's; US and UK Historical Government Documents. These indexing sources cover the following subject areas: History, Philosophy, Literature Studies, Classics, Legal Studies, History of Science, Religion, Psychology, Engineering Technologies, Art Studies, Culture, Medicine.
Art & Architecture Source covers a broad range of subjects from fine, decorative and commercial art, to various areas of architecture and architectural design. It features indexing and abstracts for an array of international journals, a collection of over 63,000 images provided by Picture Desk and other sources, and hundreds of full text books and journals. Coverage dating back to 1921.
Art Index Retrospective™: 1929 -1984 provides users access to over half a century of art literature covering fine, decorative, and commercial art. Content includes high-quality indexing of nearly 600 publications, many of which are peer-reviewed, and citations of over 25,000 book reviews.
ARTEX is an index to Australian art exhibition catalogues published from January 1990. Please note: ARTEX is no longer updated. The latest content was added at the end of 2007. Current content is incorporated into the OzBiogs database.
The Grand Tour was a rite-of-passage for many aristocratic and wealthy young men of the eighteenth century: a phenomenon which shaped the creative and intellectual sensibilities of some of the eighteenth century’s greatest artists, writers and thinkers. These accounts of the English abroad, c1550-1850, highlight the influence of continental travel on British art, architecture, urban planning, literature and philosophy. This collection of manuscript, visual and printed works allows scholars to compare a range of sources on the history of travel for the first time, including many from private or neglected collections. We include letters; diaries and journals; account books; printed guidebooks; published travel writing; paintings and sketches; architectural drawings and maps.
The Index of Medieval Art, earlier known as the Index of Christian Art, is a thematic and iconographic index of early Christian and medieval art objects begun at Princeton University in 1917. The Index records works of art produced without geographical limitations from early apostolic times up to A.D. 1550. The database contains thousands of work of art records, most of which have an accompanying image. Many of these images have never before been digitized and are published here for the first time. The database also offers the ability to search using the ICONCLASS classification system on a limited basis. Nearly all of the subject terms have now been paralleled with ICONCLASS notations.
The definitive resource for scholarly literature on Western art, IBA is the successor to the Bibliography of the History of Art (BHA), and retains the editorial policies which made BHA one of the most trusted and frequently consulted sources in the field. Publications covered include at least 500 core journals, with an emphasis on specialist and rare titles that are not covered by other indexes, plus detailed coverage of monographs, essay collections, conference proceedings and exhibition catalogues.
Edward Sylvester Morse (1838-1925) was a great polymath – notable for his work in natural history, ethnography and art history – but, perhaps most famous for his work in bringing Japan and the West closer together. Morse was one of the first Americans to live in Japan. He went there on a scientific expedition in 1877 and his enthusiasm and approach so impressed his hosts that he was made Chair of Zoology at the new Imperial University of Tokyo. But his interests were never limited to evolutionary theory and scientific methodology – in 1882 he turned his attention to ethnology and the documentation of life in Japan before it was transformed by Western modernization. In addition to preserving the household records of a samurai family and many accounts of the tea ceremony, Morse made notes on subjects as diverse as shop signs, fireworks, hairpins, agricultural tools, artists’ studios, music, games, printing, carpentry, the Ainu, gardens, household construction, art and architecture.
Oxford Art Online offers access to the most authoritative, inclusive, and easily searchable online art resources available today. Through a single gateway users can access—and simultaneously cross-search—an expanding range of Oxford’s acclaimed art reference works: Grove Art Online, the Benezit Dictionary of Artists, the Encyclopedia of Aesthetics, The Oxford Companion to Western Art, and The Concise Oxford Dictionary of Art Terms, as well as many specially commissioned articles and bibliographies available exclusively online.
Peeters is an international publishing house based in Leuven/Louvain, Belgium and established in 1857. Peeters was set up to serve the academic world by printing and publishing books in English, French, German and Dutch. Its major publication list contains theology, philosophy, ethics, classical studies, archaeology, history of art, medieval studies, oriental studies, linguistics and literature. Peeters really contributes to the advancement of scholarship using its network of scholarly relations throughout the academic world. Peeters publishes original research as well as bibliographic data, reviews and reference material. It is standard practice for each publication to be supervised by an editorial board which ensures high quality standards, based on independent reports.
The University of Chicago Press publishes journals which present original research from international scholars in the social sciences, humanities, education, biological and medical sciences, and physical sciences.
Warburg Institute has been notable for its interdisciplinary research extending across the histories of art, science and religion to anthropology and psychology. Its contributions to the epistemological and methodological underpinnings of the histories and theories of culture have been profound and paradigm-changing.